Georges
Rouault

Georges Rouault, Christ outside the City, etching

Christ au Faubourg

from André Suarez's Passion

Chapon & Rouault 258a

aquatint, 1935, on heavy cream-coloured wove paper, a superb working proof impression of an early (first?) state of the key plate (not described by Chapon & Rouault), before extensive additional rework (aquatint, burnishing, and etching), printed by Lacourière in rich blue ink, before the plates were reduced*

S. 325x224mm.

Georges Rouault, Wayfarer, etching

Chemineau

from André Suarez's Passion

Chapon & Rouault 259a

aquatint, 1935, on heavy cream-coloured wove paper, a superb working proof impression of an early (first?) state of the key plate (not described by Chapon & Rouault), before extensive additional rework (aquatint, burnishing, and etching), printed by Lacourière in rich blue ink, before the plates were reduced*

S. 325x223mm.

Georges Rouault, Christ and the Poor, etching

Christ et Pauvres

from André Suarez's Passion

Chapon & Rouault 262a

aquatint, 1935, on heavy cream-coloured wove paper, a superb working proof impression of an early (first?) state of the key plate (not described by Chapon & Rouault), before extensive additional rework (aquatint, burnishing, and etching), printed by Lacourière in rich blue ink, before the plates were reduced*

S. 325x235mm

Provenance: acquired directly by the collector from the printer's workshop

These three remarkable proof impressions from Passion evidence the artist's exacting approach to the realization of his first work in colour devoted to religious themes.

The printing in blue, apparently to appreciate better the rich tonal values of the composition, is quite unique (we have seen only a few other examples of these fine prints). As such, these prints constitute an important document with regard to Rouault's working technique, and fully reveal the artist's forceful use of line and mass, painting as it were directly on the copper plate with acid wash over a variety of fine textures.


* We have been able to examine impressions of the final states of the key plates, cut to the dimensions of the image, where the clearly bevelled platemarks measure approximately 300x210mm (see the Loudmer sale, Drouot, 13/12/1994, n° 394).