Vuillard |
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This charming yet unassuming print,
its diagonal gravel walkways enlivened by passers-by and pigeons in the
foreground, with a
forceful, rigorous composition and chromatic clarity inspired by the
aesthetics of Japanese
printmaking, is Vuillard's first four-colour lithograph, and, notably,
the first without a black stone (slate blue, dark blue, gray, and
yellow, according to Roger-Marx).